Caligula and Other Plays

Caligula and Other Plays

تأليف : Albert Camus

النوعية : مجموعة قصص

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Caligula and Other Plays by Albert Camus Caligula; Cross Purpose; The Just; The PossessedCaligula reveals some aspects of the existential

notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself.The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is Caligula; Cross Purpose; The Just; The PossessedCaligula reveals some aspects of the existential notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself.The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is the tragedy of a man who returns home to his mother and sister without revealing his identity to them. By the time of The Just and The Possessed, refusal and rebellion have taken over, and in these overtly political plays (the latter based on Dostoyevsky's The Devils) Camus dramatizes action and revolt in the name of liberty.

Caligula and Other Plays by Albert Camus Caligula; Cross Purpose; The Just; The PossessedCaligula reveals some aspects of the existential

notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself.The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is Caligula; Cross Purpose; The Just; The PossessedCaligula reveals some aspects of the existential notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself.The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is the tragedy of a man who returns home to his mother and sister without revealing his identity to them. By the time of The Just and The Possessed, refusal and rebellion have taken over, and in these overtly political plays (the latter based on Dostoyevsky's The Devils) Camus dramatizes action and revolt in the name of liberty.

Albert Camus

45 كتاب
Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tende...
Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journalism and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula, 1944). He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. His love for the theatre may be traced back to his membership in L'Equipe, an Algerian theatre group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.

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