L'Étranger / La Peste

L'Étranger / La Peste

تأليف : Albert Camus

النوعية : الفكر والثقافة العامة

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L'Étranger / La Peste par Albert Camus In this book you find a (Russian) foreword, then "The Stranger" and "The Plague".I'm not sure that adding this book in this form is not against don't combine:2-in-1 books or boxed sets that include the given book.

In this book you find a (Russian) foreword, then "The Stranger" and "The Plague".I'm not sure that adding this book in this form is not against don't combine:2-in-1 books or boxed sets that include the given book.

L'Étranger / La Peste par Albert Camus In this book you find a (Russian) foreword, then "The Stranger" and "The Plague".I'm not sure that adding this book in this form is not against don't combine:2-in-1 books or boxed sets that include the given book.

In this book you find a (Russian) foreword, then "The Stranger" and "The Plague".I'm not sure that adding this book in this form is not against don't combine:2-in-1 books or boxed sets that include the given book.

Albert Camus

45 كتاب
Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tende...
Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journalism and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula, 1944). He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. His love for the theatre may be traced back to his membership in L'Equipe, an Algerian theatre group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.

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